International Congress on Applied Music Research and Transformative Experiences

Presentation

The International Congress on Applied Music Research was created as an international academic space devoted to making visible, sharing and reflecting on music research practices in real contexts: conservatoires, music schools, universities, community and rural settings, educational projects, technology and artificial intelligence. The congress focuses on a broad view of applied research, understood as the relationship between musical thought, artistic practice, education, health, innovation and society.

Objectives

General objective

To promote the international exchange of experiences, methodologies and applied music research projects.

Specific objectives

• To present current research in music.
• To build networks between conservatoires, universities and independent projects.
• To share innovative educational experiences.
• To reflect on ethics, health and music technology.
• To facilitate future academic publications.

Thematic strands

• Music pedagogy and curriculum
• Research in Educational Spaces.
• Applied musicology
• Music technology and artificial intelligence
• Health, neuromotor skills and instrumental practice
• Music entrepreneurship and management
• Ethical protocols in artistic research
• Educational experiences in rural and community settings

Academic structure

• 4 round tables with 12 specialists
• 6 Presentation sessions
• 12 minutes per participant
• 60 participants in total
• 2 Keynote lectures
• 2 online workshops

Participation options

Attendance

Free for GIMUR members (GIMUR membership: 35 € per year)
20 € for non-members

Paper presentation

Free for GIMUR members
39 € for non-members

Benefits

• Official certificate of participation
• Digital conference proceedings publishing all abstracts
• Possible selection for publication in academic journals
• Access to recordings
• Publications
• Digital book of proceedings
• Selection of extended articles for partner journals
• Possible subsequent thematic monograph

Team

General directors

Ana M. Vernia-Carrasco
Jordi Albert Gargallo

Organising committee

Jannete Oded Medina Gómez (Universidad de las Artes de Yucatán, Mexico)
Ana M. Vernia-Carrasco (Universidad Jaume I, Spain)
Jordi Albert Gargallo (Universidad de las Artes de Yucatán, Mexico)
Carles Camarasa Botella (Universitat Politècnica de València)
Guillem Torró Senent (Georgia College)
Francisco M. Cuevas-Sánchez (AEMCA)
Andrés Simeó Máñez (CPM de Valencia, Spain)
Pasqual Llopis Diago (Oulu Symphony Orchestra, Finland)

Scientific committee

Carles Camarasa Botella (Universitat Politècnica de València)
Ana M. Vernia-Carrasco (Universidad Jaume I, Spain)
Jordi Albert Gargallo (Universidad de las Artes de Yucatán, Mexico)
Jannete Oded Medina Gómez (Universidad de las Artes de Yucatán, Mexico)
Guillem Torró Senent (Georgia College)
Óscar Casanoca (Universidad de Zaragoza, Spain)
Inés Mª Monreal (Universidad de Valladolid, Spain)
Miguel Ángel Bervis (CSM de Castellón, Spain)
Paula Hernández (Universidad La Laguna, Canary Islands, Spain)
Juan Rafael Muñoz (Universidad de Almería, Spain)
Jorge Ferrada (Universidad de Los Lagos, Chile)
Susana Sarfson (Universidad de Zaragoza, Spain)
Carmen Zabala (Universidad de Zaragoza, Spain)
Mercé Bosch Sanfélix (Mozarteum University Salzburg, Austria)
Juan Pablo Valero (Valencia Music City, Spain)
Ugur Alpagut (President of MÜZED, Turkish Music Educators Association)
Patricia González (Universidad Autónoma de Chihuahua, Mexico)
Ángela Morales (Universidad Autónoma de Madrid, Spain)
Sefkat Saglamer (Assist. Prof., Arucad University, Cyprus)
Martín Kieffer (Conservatorio Juan R. Pérez Cruz, Buenos Aires, Argentina; and from June: UNCUYO, Universidad Nacional de Cuyo, Mendoza, Argentina)
Robinson Giraldo (Universidad Industrial de Santander, Colombia; doctoral candidate in the Art: Production and Research programme, Universitat Politècnica de València)
Verónica Pons (Universidad de Valladolid)
Rubén Carrillo (Universidad Autónoma de Chihuahua, Mexico)